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(Vocal group, 1970–84) The successor band to Jefferson Airplane whose official debut was 1974’s Dragonfly although the name had been used by singer/guitarist Paul Kantner on Blows Against The Empire (1970). Former Airplane vocalist Grace Slick joined the new band along with David Freiberg (bass), John Barbata (drums), Pete Sears (keyboards) and Craig Chaquico (guitar). Ex-Airplane singer Marty Balin signed ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Blind Lemon Jefferson (c. 1893–1929) opened up the market for blues records in 1926 when ‘Got The Blues’, backed with ‘Long Lonesome Blues’, became the biggest-selling record by a black male artist. It brought him the trappings of success, including a car and chauffeur, and he released nearly 100 songs over the next four years, before his death. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Although he is often cited as the first ‘folk’ bluesman to record, Blind Lemon Jefferson was actually much more than that: he was America’s first male blues pop star. On the strength of his recordings for the Paramount label – some of which are said to have sold upwards of 100,000 copies – Jefferson became a celebrity throughout the ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocal/instrumental group, 1965–72, 1989, 1996) When the ‘classic’ line-up of Marty Balin (vocals), Grace Slick (vocals), Paul Kantner (guitar, vocals), Jorma Kaukonen (guitar, vocals) and Skip Spence (drums) found each other, a merger of an oblique form of folk rock with psychedelia ensured acceptance by their native San Francisco’s hippy community. They produced 1967 hit ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1972–82) A three-piece from Woking, Surrey, The Jam comprised Paul Weller (guitar, vocals), Bruce Foxton (bass, vocals) and Rick Buckler (drums). Emerging with punk, the band embraced the movement’s energy but scorned its negative aspects. After a promising debut In The City (1977), the follow-up This Is The Modern World (1977) was rushed ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Few would deny that the blues has played a more important role in the history of popular culture than any other musical genre. As well as being a complete art form in itself, it is a direct ancestor to the different types of current popular music we know and love today. Without the blues there would have been no Beatles ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The Enlightenment was a great wave of thought in the eighteenth century that combated mysticism, superstition and the supernatural – and to some extent the dominance of the church. Its origins lie in French rationalism and scepticism and English empiricism, as well as in the new spirit of scientific enquiry. It also affected political theory in the writings of ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

During the mid-1960s, America’s military action in Vietnam was escalating out of control; students around the world were becoming more politically involved, civil rights and feminism were hot issues and the burgeoning youth movement was turning onto the effects of mind-bending drugs. Accordingly, certain strains of popular music melded attitude, experimentation and a social conscience, and ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

When the great Mississippi musician Riley King left the cotton fields to seek his fortune in Memphis in 1946, he had $2.50 in his pocket and a battered guitar in his hand. Today, his name is synonymous with blues music itself, yet his ascendance to the zenith of the blues world never altered his friendly, downhome ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

In March 2013 it was announced that ‘David Bowie is’ – an exhibition at London’s Victoria and Albert Museum – had become the fastest-selling in the institution’s history. The traditionally minded V&A had clearly cottoned on to the fact that Bowie, more than any music icon, enabled them to fulfil their remit of exploring art and design in the ...

Source: David Bowie: Ever Changing Hero, by Sean Egan

The swooping, full-octave slide-guitar riff that opened Elmore James’s (1918–63) first record, ‘Dust My Broom’, in 1951 not only electrified the legacy of Robert Johnson, it also established one of the basic riffs of post-war blues. Bottleneck guitar had always been part of the blues, but James was the first to use it in a hard rocking ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Vocal/instrumental group, 1967–79, 1985–present) Not so much a premier folk rock ensemble as one of the most English of veteran rock bands, Fairport formed in London in 1967 in a vague image of Jefferson Airplane, but traditional folk pervaded a second LP, What We Did On Our Holidays (1969), on which singer Sandy Denny debuted, ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1970–present) Jefferson Airplane’s Jorma Kaukonen (guitar, vocals) and Jack Casady (bass) – together with drummer Bob Steeler – formed Hot Tuna in San Francisco in order to satisfy their interest in acoustic blues. After an eponymous debut album, the group went electric, added fiddler Papa John Creach and expanded its range to become a staple ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Tenor and alto saxophone, flute, b. 1925) James Moody was one of the strongest performers to double on flute in jazz, and was a resourceful and inventive improviser on all his horns. He joined Dizzy Gillespie from the US Air Force in 1946. A recording of ‘I’m In The Mood For Love’ (1949), made while living in Europe ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

A leading figure on America’s West Coast music scene, Jerry Garcia was born in San Francisco in 1942. His father was a retired professional musician, his mother a pianist. The musically inclined Jerry began taking piano lessons as a child. The emergence of Chuck Berry, Buddy Holly and Eddie Cochran inspired him to learn guitar at 15, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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